There has been a great deal of speculation about how the Covid-19 Pandemic will affect art and the art world. This question is, of course, somewhat insignificant as communities around the world continue to face a dire health crisis that leaves more people dead each day. Many businesses remain closed to help fight the spread of the disease while consumer behavior has been fundamentally altered in ways that may have long-lasting effects that will take years for businesses to adjust to. As a result, the economy remains deeply depressed, unemployment remains high, and many people struggle to meet financial obligations.
This series of work reflects a turn away from events and histories, places and territories that exist in the world. In place of these subjects that have served as the focus of other works, I have chosen to explore the geometry and territory of the surface of the painting itself devoid of any external narrative. This has created an opportunity to focus strictly on what a painting can be as an autonomous entity through an explicit dialogue with the history of the medium.
The edge, center, surface, and field of the canvas are the concepts that drive the form of this series. Each is concerned with delimiting borders in a variety of manners and at different stages of the formation of the work.
The notion of a “site” has become something architects fixate upon. We yearn for a potential client to identify a site in order to begin developing intriguing concepts to help win the job. We analyze the ecology, orientation, mobility infrastructure, utilities, history, cultural traditions, habits, and broader urban context in which the site exists. In doing so, we think about the program, allowable building density, building traditions, and overall goals of the client. In some cases, we may consider the buildings that still exist on the site or that have existed on the site in the past.
Generally, the site that we are given is in a desirable location. It is a place that a group has determined is of value. This value is often directly tied to the program that the client hopes to bring to the site. Further, this value is tied to the inhabitants who will animate the program when the building is complete. The location must conform to their expectations, desires, need for security, proximity to other activities, and broader cultural tradition defining how they interact with each other and the city. If these conditions can be fulfilled by a particular location, then it is determined that the site can support the often considerable investment required to create a new structure.
Those who inhabit this moment make the future via the present materials. This formation will be guided by negotiating the difference between what we think of as the world and how we see the horizon before us as an individual. As this negotiation occurs, a map is drawn, a new world formed. I explore how power and energy have informed the image of the world, how I inhabit it, and how this inhabitation defines a perspective guiding what we create in the future.
Walker is also the Director of External and Public Affairs as well as Business Development for FGP Atelier - an architecture firm founded by Francisco Gonzalez Pulido in the Fall of 2017. In addition to pursuing new business, Walker directs the creation of new proposals and contracts, competitions, marketing, PR, exhibitions, publications, lectures, and educational efforts. The Atelier recently completed a 20,000 seat baseball stadium in Mexico City and the Land Rover Regional Offices Shanghai (85,000 M2 office and retail complex). We are currently working on a 320 M Tall tower under construction in Guangzhou, a 5,000,000 M SQFT financial center under construction in Shanghai, a 240,000 M2 mixed used development under construction in Shenzhen, the Felipe Angeles Airport at Santa Lucia that will serve Mexico City and 24 million passengers in the first phase and 85 million in the ultimate phase, a 400 M Tower in Nanjing, and a mixed used development in Shanghai among other projects.
